In: painting

John Bellany, National Galleries of Scotland, 2012
June 28, 2021

John Bellany, National Galleries of Scotland, 2012

John Bellany’s (1942 – 2013) work melds the recognizable with a vision that is unique, sometimes uncomfortable (as with his many self portraits) but also very engaging, with a play of the absurd and the immediate. Bellany’s figures and scenes  are marked by a “vigorous—at times rather tormented—Expressionist style. He was born and brought up in a fishing village near Edinburgh, and the imagery of his work is often derived from the sea, although it is transformed into a kind of personal mythology.” John Bellany (National Galleries of Scotland, Edinburgh, 2012) was published to coincide with Bellany’s 70th birthday and accompanied the largest and most comprehensive exhibition of his work since the National Galleries of Scotland organised the retrospective in 1986.

This book contains over 80 illustrations of Bellant’s finest works including paintings, watercolours, drawings and prints from all the key periods of the artist’s career. It’s not hyperbole to state that Bellany changed the course of painting in Scotland. From the book: “His intensely felt paintings of fisherfolk and their precarious life at sea were a direct challenge to the much diluted Scottish colourist tradition and its landscapes and still lifes. The sheer size and raw emotion of Bellany’s canvases, their depictions of a way of life that the artist knew from growing up in a Port Seton fishing family – and their elevation of that life onto a symbolic level – were at odds with the decorative, drawing-room pictures of much contemporary Scottish painting in the 1960s.”

You can see more from this lovely publication here, where you can also order a copy. I encourage you to also see more of his imaginary – yet very honest – painted narratives of his life and community here, and here. ~ Bart Gazzola

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Ana Žanić – One Breath
May 19, 2021

The first time you see Ana Žanić’s watercolor and pencil artwork is like taking a sharp blow to the limbic system. Every one of your senses screams “I know this” but cannot figure out what “this” is or why it knows it. They take on the form of something both organic and subliminal, communicating to us of the past (back to pre-history) and our deeply troubled emotional state we find ourselves in through the pandemic.

Her colour palettes are very natural and gently reassuring… mother earth will take us back into her bosom and help us heal. The meticulous marks speak of long journeys past, and reach out to our future selves to remind us that we have struggled before and have overcome those obstacles… we can do it again.

I reached out to Ana and asked her a few questions.

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Alors on danse
May 4, 2021

Ashley Guenette’s Alors on danse (Let’s Dance) is one of a series of animal acrylics she has created that are a cross between Canadian myth and Aesopian fable. They are definitely “of the north” and express how closely connected we are to the land from a cultural standpoint in this country.

You can find Ashley on Instagram and at ashleyguenette.com

~Mark Walton

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